The American baritone, Philip Cutlip, has garnered consistent critical acclaim for his performances in both North America and Europe. Established on both concert and opera stages, he has performed with a distinguished list of conductors that includes Nicholas McGegan, Yves Abel, Miguel Harth-Bedoya, Gerard Schwarz, and Donald Runnicles.
Among Philip Cutlip's recent successes on the operatic stage are his critically acclaimed Glimmerglass Opera debut as the title role in Philip Glass's Orphée, his return to Seattle Opera to sing Marcello in La bohème, and his return to the Gran Teatre del Liceu in Barcelona to sing Mattieux in Andrea Chénier. He also recently appeared as Rodrigo in Don Carlo with Hawaii Opera Theatre, Sharpless in Madama Butterfly with both Austin Lyric Opera and Arizona Opera, and made his debut with Houston Grand Opera as Donald in Billy Budd. Throughout his career Philip Cutlip has portrayed many of opera's most well-known baritone roles including Papageno in Die Zauberflöte with New York City Opera and Opera Theatre of Saint Louis, Harlequin in Ariadne auf Naxos with Seattle Opera, the title roles in both Don Giovanni and Il barbiere di Siviglia with Opera Birmingham, Malatesta in Don Pasquale with Fort Worth Opera, and Guglielmo in Così fan tutte with Arizona Opera.
Philip Cutlip has also appeared as soloist with nearly every major North American orchestra. His extensive list of concert credits include performances with New York Philharmonic Orchestra, National Symphony Orchestra, Houston Symphony Orchestra, Oratorio Society of New York at Carnegie Hall, Atlanta Symphony Orchestra, North Carolina Symphony, and the Minnesota Orchestra. He has performed such works as J.S. Bach's Christmas Oratorio (BWV 248) with the Handel and Haydn Society under Grant Llewellyn, Beethoven's Symphony No. 9 with the Philadelphia Orchestra under Charles Dutoit, Johannes Brahms's Requiem with the Portland Symphony Orchestra, Carmina Burana with the Detroit Symphony Orchestra, and Haydn's The Seasons with Philadelphia Baroque. He also performed Handel arias written for Mantagnana with La Stagione Frankfurt ensemble as well as Georg Frideric Handel's Belshazzar at the Göttingen Festival in Germany.